I have been looking for an agent for a short children's book, and looking through the Children's Writer's & Illustrator's Market listings. Every one of them that I saw was a woman. Taking a look at the book publisher listings, I found that most of the editors and founders were also women. My Writer's Market came yesterday and I perused it briefly just because, well, I'm a geek, and many of those listings also listed female contact names.
That got me thinking about all of the lovely writers who have been kind enough to give me advice over the past couple of years, and all but one of those has been a woman. The ladies at the WAHM writers' board are of course women, but then so are most of the writers at Absolute Write. I used to think of a writer as some kind of Hemingway/Faulkner type, typing alone at a typewriter with a bottle of Scotch nearby. Now I think of a writer as a woman at home trying to write with kids underfoot.
Thinking that this must be some kind of new phenomenon that has made women dominant in the industry, I tried to find some stats. As far as I can tell, there aren't any. But, I found out a few startling things. The first is that the surge of women writers isn't limited to the West- women in Iran are writing books in higher numbers than ever before. The number of women writers in Zimbabwe are also rising. I thought this must be a new phenomenon, and in some countries it certainly is. But in the West, it's just business as usual.
Take a look at all of the British women writers from the Regency. From that era most people can name Austen and Mary Shelley, but there were multitudes of women novelists writing away in their corsets and empire-waist dresses. Perhaps I'll join them, though it'll likely be in sweat pants.
Thursday, November 15, 2007
Monday, November 12, 2007
Freelance Roundup
I got accepted by Suite101 some time ago and just recently got the time to get an article up. A lot of freelance writers won't write for them because they don't offer any upfront payment- just small payments based on pageviews. It's certainly not ideal, but it's a neat site and the writers get creative control over topics and approaches. I don't know how often I'll do it, but it will be a lot more often if I end up getting any pageviews. So far, in two days, I have gotten one.
Elance announced today a major revamping of just about every aspect of the site. Bids, now called "connects," will cost .50 apiece, with some projects requiring several just to bid once. All quarterly and yearly discounts have been disposed of in favor of a monthly fee. The Select program, that I had paid about $350 for, is now gone. In its place is a merit-based system, which sounds great, except that they want to charge more than $200 extra for it. They also require two credentials to be verified to be eligible, and providers have to pay for those as well. The people in the Elance forum have reported that their fees will be going up anywhere from double to triple the amount they had been paying. And, we have been given less than a month's notice of the change. If I haven't said it enough before, I'll say it now- Elance sucks.
I signed up with Triond to see how well it works. I love the idea of residuals, and it pays writers a portion of the revenue for their articles every month. They accept pretty much anything not obscene or libelous- even poetry. I worked up four very quick articles on topics that I already knew a lot about and sent them in. All were approved, and all have gotten slow page views. Each has earned me less than a cent a day, so it may not be the best use of time ever devised. Of course, if the articles take only a few minutes to write and a person had hundreds of them, they could bring in a steady stream of extra money every month. The articles/poetry/stories don't have to be long- mine are 250-300 words apiece, but I don't think there is any specified length. You can also use a pen name, which I have done. I'll post further stats about it if they get better or worse.
Howtodothings.com was a site that paid pretty well at one time- though they paid in gift certificates. After awhile they revamped the site to pay writers only with their own AdSense revenue. At that point, they added a place for writers to see how many page views their total articles had gotten on the site. At the time, about a year ago, my 49 articles had about 800 page views, which I deemed pointless to pursue new page views for Adsense revenue. However, I looked at it again yesterday for the first time since, and the page views were more than 45,000. Somehow in the last year they have revved up their marketing, and HTDT might just be a little more worthwhile. Hey- residuals are residuals.
Elance announced today a major revamping of just about every aspect of the site. Bids, now called "connects," will cost .50 apiece, with some projects requiring several just to bid once. All quarterly and yearly discounts have been disposed of in favor of a monthly fee. The Select program, that I had paid about $350 for, is now gone. In its place is a merit-based system, which sounds great, except that they want to charge more than $200 extra for it. They also require two credentials to be verified to be eligible, and providers have to pay for those as well. The people in the Elance forum have reported that their fees will be going up anywhere from double to triple the amount they had been paying. And, we have been given less than a month's notice of the change. If I haven't said it enough before, I'll say it now- Elance sucks.
I signed up with Triond to see how well it works. I love the idea of residuals, and it pays writers a portion of the revenue for their articles every month. They accept pretty much anything not obscene or libelous- even poetry. I worked up four very quick articles on topics that I already knew a lot about and sent them in. All were approved, and all have gotten slow page views. Each has earned me less than a cent a day, so it may not be the best use of time ever devised. Of course, if the articles take only a few minutes to write and a person had hundreds of them, they could bring in a steady stream of extra money every month. The articles/poetry/stories don't have to be long- mine are 250-300 words apiece, but I don't think there is any specified length. You can also use a pen name, which I have done. I'll post further stats about it if they get better or worse.
Howtodothings.com was a site that paid pretty well at one time- though they paid in gift certificates. After awhile they revamped the site to pay writers only with their own AdSense revenue. At that point, they added a place for writers to see how many page views their total articles had gotten on the site. At the time, about a year ago, my 49 articles had about 800 page views, which I deemed pointless to pursue new page views for Adsense revenue. However, I looked at it again yesterday for the first time since, and the page views were more than 45,000. Somehow in the last year they have revved up their marketing, and HTDT might just be a little more worthwhile. Hey- residuals are residuals.
Saturday, November 10, 2007
Norman Mailer- Dead
It's been a big month for literary figures, and the events continue. Norman Mailer has died, having lived a long life full of literary creations of all types. The part that I thought was interesting is how little I had read of his work, and how no one I asked about it had ever read anything of his. Ok, I've never read anything of his at all. With literary figures of his caliber, they actually become more famous than their works, much like actors. How many times have you seen a picture of a famous person, knew their name and had no idea what they've been in? The same principle seems to have been at work for Norman Mailer. This is unfortunate for him, as he sounds like a wretched person. A few of the highlights:
- He was married six times
- He stabbed one of his six wives, almost killing her
- He hated women's liberation and feminism, and once said that "all women should be locked in cages"
- He was physically abusive to his fourth wife
- He claimed that the women who didn't appreciate his misogynistic words were seeking publicity for themselves
- He fought to get a felon out of jail, who then killed someone in a restaurant
- He was married to his his fifth wife for only one day and got engaged the next day to someone else
- He invented the word "fug"
Friday, November 9, 2007
Wall Street Journal nod
I check my pitiful stats every day just to see how many people are wandering in here. I noticed this morning that a number of people were coming in from a link on the Wall Street Journal site. I couldn't access that link, not being a paid subscriber, but I poked around a little and found a page where I could access it. The site has a link to this blog at the very bottom of a story about Harper Lee and her Presidential Medal of Freedom. The link is near the bottom of the page under " Blog Posts About This Topic." I'm thrilled that they'd link to 'lil old me, but I have to wonder how they came across such a small, obscure blog. I don't yet have the best idea about how the whole blogosphere thing works, but it must work pretty well, since that post wasn't on any of the first 15 Google pages when I searched the title of the post. Thanks, WSJ!
Tuesday, November 6, 2007
Harper Lee and the Presidential Medal of Freedom
Harper Lee was just granted the Presidential Medal of Freedom for To Kill a Mockingbird. And what better a work to command such an honor? If you've ever read the book, and who hasn't, you know what an amazing work it is. It's so richly textured that you can read it again and again, further dissecting it and finding new aspects of it that contribute to the whole. The bird imagery, the use of light and dark to highlight the character of each of the players- they all add up to a masterpiece of observation and persuasion. There's just the one little thing...I really don't think she wrote it.
Rumors have dogged To Kill a Mockingbird for decades, but here's what tipped me off: she came up with such a richly-textured work as her first novel, and never wrote another book. Say what, now? Someone with that ability couldn't come up with anything else? Apparently not. She also never talks about the book and never gives interviews. Adding to the questions is that fact that she lived next door to Truman Capote, who wrote novels on similar subjects and with similar nature imagery. There's nothing that can be proven, of course, but I'll always have questions. Why nothing else from Harper Lee? Why never talk about a book that won her the Pulitzer Prize?
I live a few hours from Monroeville and poised the question to a native Monroevillian who had been in the town's annual production of the play based on the book, because I'm just that obnoxious. The reaction was swift and severe. No, Capote had nothing to do with it, I was told, and never say that to anyone from Monroeville. They take their native daughter very seriously, going so far as to never tell anyone from out of town where she lives. Apparently she lives there part time and has her main residence in New York. While she's in Monroeville she's treated like a queen and protected from any pesky reporters with questions.
Since the book, Harper Lee attempted a novel but never published it because she reportedly was having too many problems with it. It just doesn't seem to me that someone capable of To Kill a Mockingbird could have that much trouble writing a novel. After that book she probably could have published her shopping list in book form and been guaranteed a certain number of sales.
So, did Capote write it? Who knows? I think that if he didn't, he definitely helped her with it quite a lot. Where was he when I was trying to make that sci-fi novel work? Oh yeah- dead. But, Harper Lee is alive, and if any novel deserves the Medal, it's the one that has her name on it.
Rumors have dogged To Kill a Mockingbird for decades, but here's what tipped me off: she came up with such a richly-textured work as her first novel, and never wrote another book. Say what, now? Someone with that ability couldn't come up with anything else? Apparently not. She also never talks about the book and never gives interviews. Adding to the questions is that fact that she lived next door to Truman Capote, who wrote novels on similar subjects and with similar nature imagery. There's nothing that can be proven, of course, but I'll always have questions. Why nothing else from Harper Lee? Why never talk about a book that won her the Pulitzer Prize?
I live a few hours from Monroeville and poised the question to a native Monroevillian who had been in the town's annual production of the play based on the book, because I'm just that obnoxious. The reaction was swift and severe. No, Capote had nothing to do with it, I was told, and never say that to anyone from Monroeville. They take their native daughter very seriously, going so far as to never tell anyone from out of town where she lives. Apparently she lives there part time and has her main residence in New York. While she's in Monroeville she's treated like a queen and protected from any pesky reporters with questions.
Since the book, Harper Lee attempted a novel but never published it because she reportedly was having too many problems with it. It just doesn't seem to me that someone capable of To Kill a Mockingbird could have that much trouble writing a novel. After that book she probably could have published her shopping list in book form and been guaranteed a certain number of sales.
So, did Capote write it? Who knows? I think that if he didn't, he definitely helped her with it quite a lot. Where was he when I was trying to make that sci-fi novel work? Oh yeah- dead. But, Harper Lee is alive, and if any novel deserves the Medal, it's the one that has her name on it.
Monday, November 5, 2007
Writers' Guild Strike
The Writer's Guild strike is an interesting turn of affairs, particularly for writers of all types. The entire affair has gotten melodramatic much more quickly than I would have imagined, especially with no writers writing it that way (sorry, I couldn't resist). The producer's group spokesman has called the strike "irresponsible," which really made me laugh. Irresponsible? Are lives at risk? It's pretty much a few weeks of Leno jokes, right? Yeah, pretty much. Strikes like this never last long, so I can't see all new movies coming to a grinding halt. Producers make a nice bit on the venues they produce, and actors make entirely too much. So, why drag their feet over the writers' pay? I don't remember any producers getting upset over the latest overpaid actor getting $20 million plus residuals. But since actors get them, why shouldn't writers get residuals? I'd much rather see writers get them than actors.
Imagine if web content writers went on strike. I tried to do that, but I can't see that many people agreeing about anything. I wouldn't mind a piece of those ad dollars that people are bringing in thanks to my content. Nah. Residuals are dependent on someone else's marketing, and I don't think they make anyone a better writer. Flat-fee writing just makes more sense. If you want royalties, write a book. But, that's just my opinion, and I'm not going on strike anytime soon.
Imagine if web content writers went on strike. I tried to do that, but I can't see that many people agreeing about anything. I wouldn't mind a piece of those ad dollars that people are bringing in thanks to my content. Nah. Residuals are dependent on someone else's marketing, and I don't think they make anyone a better writer. Flat-fee writing just makes more sense. If you want royalties, write a book. But, that's just my opinion, and I'm not going on strike anytime soon.
Sunday, November 4, 2007
Oh. My. God.
You will never believe how low some "business people" are going now to get their cheap content. Apparently paying $2 to people in third world countries to write horrid content in broken English was just too much trouble. Now I've found this. It has to be the laziest thing I've seen since, well, I can't think of anything right this second, but it's pretty freaking lazy. What kind of crap are they going to end up with by using this method? Is it really so much to ask for people to pay for their content? No one is going to read their generic copy, and their $67 is worth nothing more than a tax deduction. Sheesh. What exactly is the internet coming to?
Friday, November 2, 2007
Article Marketing
It's interesting how people try to get their backlinks in so many different ways. I've seen people paying for backlinks, I've seen them willing to do work in exchange for them, and then there's article marketing. The premise, of course, is that the articles have one or more backlinks within them, or they can be in the source box. So, how well does this work?
I think it works pretty well, depending on where the links are located and how they got there. The last I heard about it, article directories had been demoted in the search engine rankings, which makes those links much less valuable. I have also seen people on Digital Point bragging about the thousands of backlinks that they have. Those were likely gained form directories, so there's a limit to how effective they will actually be. On the other hand, I checked this site to see how many links a client already had to their site. The thing is, this person has never marketed their site, has never bought/worked for backlinks, and has never written or bought an article about their site. They had over 2,000 backlinks. How did they get them? Through quality content, perseverance and having information that people want. The site has been around for several years and it offers a genuine place to get information without pandering or over-SEOing. People link to the site because they like it and it will give their readers information.
The bottom line is this: you can either spend thousands over the course of years to get hundreds, or thousands, of articles that provide a backlink to your cheap copy; or you can spend a little up front to get high-quality copy on your site in the first place and let everyone else link to you and spread the word about the site. Article marketing definitely has its place, but it should never take the place of a good, professionally-written site full of relevant information.
I think it works pretty well, depending on where the links are located and how they got there. The last I heard about it, article directories had been demoted in the search engine rankings, which makes those links much less valuable. I have also seen people on Digital Point bragging about the thousands of backlinks that they have. Those were likely gained form directories, so there's a limit to how effective they will actually be. On the other hand, I checked this site to see how many links a client already had to their site. The thing is, this person has never marketed their site, has never bought/worked for backlinks, and has never written or bought an article about their site. They had over 2,000 backlinks. How did they get them? Through quality content, perseverance and having information that people want. The site has been around for several years and it offers a genuine place to get information without pandering or over-SEOing. People link to the site because they like it and it will give their readers information.
The bottom line is this: you can either spend thousands over the course of years to get hundreds, or thousands, of articles that provide a backlink to your cheap copy; or you can spend a little up front to get high-quality copy on your site in the first place and let everyone else link to you and spread the word about the site. Article marketing definitely has its place, but it should never take the place of a good, professionally-written site full of relevant information.
Friday, October 26, 2007
Review: Children's Writer's & Illustrator's Market 2008
I received my Children's Writer's & Illustrator's Market 2008 last week and found it to be a good time saver, but a little padded. The markets are not as plentiful as I would have liked, but that may be because I'm use to the enormous Writer's Market. There are simply fewer markets that cater to children, so the smaller number of markets is to be expected. However, the size of the book can give you a false impression of the number of markets it contains. The market sections are broken up, very frequently, by filler content that is so specialized that I found it useless.
Aside from the filler items, the book itself is a huge time saver for anyone looking to get into the children's market. It has extensive listings for agents as well, negating the need for two separate books. And, if you're an illustrator, there are book and magazine markets, and agents, for illustrators as well. The listings seem more or less evenly divided between those for authors and illustrators.
In all, I like the book and it's saved me hours and hours of searching through Writer's Market for listings that will accept children's fiction, and the agent information is invaluable. But, I would have liked it a bit better if some of the filler had been cut out.
Aside from the filler items, the book itself is a huge time saver for anyone looking to get into the children's market. It has extensive listings for agents as well, negating the need for two separate books. And, if you're an illustrator, there are book and magazine markets, and agents, for illustrators as well. The listings seem more or less evenly divided between those for authors and illustrators.
In all, I like the book and it's saved me hours and hours of searching through Writer's Market for listings that will accept children's fiction, and the agent information is invaluable. But, I would have liked it a bit better if some of the filler had been cut out.
Tuesday, October 23, 2007
Print Press Releases vs. Web Press Releases
Beginning my press release experience as a reporter choosing press releases to run, there are numerous things I learned about getting a release carried. At every paper I worked for, press releases were faxed in daily, most of which were unusable. But, when we got the rare good one we would run it almost as is. The trick with those was to take out the PR speak and to convert it into AP style. Time after time I did this and finally wondered- why weren't they writing these in AP style? What exactly were they teaching in PR school that made them write press releases that had to be thrown out?
After leaving the newspaper industry, I put my ideas to work to help people around me to get the publicity their companies or events deserved. Every one of them was carried. Every single one. How? By doing what a PR writer should logically do when creating a press release. The object isn't to glorify the client and it isn't to create a ton of information that then has to be waded through and filtered down to its important points. Most reporters don't have time for that kind of nonsense. At least, I never did, so I assume that other reporters don't either. Then, I looked at the local market and considered what kinds of stories had been run lately, and what kind of slant they were usually given.
And lastly, I decided what kinds of markets the press release should be catered to, and how to cater the release to their specific focus. A press release for the city newspaper should have a strong news and/or human interest focus, one for the local entertainment tabloid should have more to do with what about the event will interest locals, etc. Then, I found the fax numbers for the local and regional media outlets that I wanted to utilize. That is ironically one of the hardest parts of print submissions, as many outlets make their fax numbers hard to find. I did find out that a PR book full of contact names and fax numbers comes out every year. That sounded pretty interesting until I noticed that it cost over $800. Without the book, the hunt took considerably longer, but it was accomplished.
Enter the online press release industry...
After changing careers and working in ecommerce for a few years, I came back to writing and PR, where I intend to stay forever. But, the trend now is for clients to commission online press releases. Great! I'll write press releases for the requested markets and email them instead of hunting fax numbers, right? Nope. Online press releases are an entirely different animal. The first few that I wrote confused the heck out of me, as there was no market to write for. So, the release is to be written to...nobody in particular? Pretty much. Many clients who want online releases don't really know who they want it targeted to, and they don't want it sent any further than PR Web.
The online press release is not, as a client recently told me "just an article written in a different format." It is still a press release, and should have many of the same hallmarks of the print release, some traits of the content article, and should come out as a sort of hybrid. To avoid having these releases being simply a resurgence of the useless releases that I once threw in the trash, I had to find a market to target the release to. The release can't be too generic, and must cater to a niche, as much as I hate that word. When writing an online release there is an analysis of the market, much like with print releases. What media outlet would do the company/event/person the most good? What are those outlets running? What are the people on those sites reading? The online market is fabulous because most media outlets display their most read stories, letting you know what their readers like and what they are likely to want to print.
To get the release seen my the right people, especially if the client just wants it sent to PR Web, it has to be SEO'd to the best keywords. If I'm not given keywords I check Overture and see what people are searching on that's related to the topic. You can't go too high, as those keywords present too much competition, and you can't go too low, as those keywords aren't searched often enough. Choosing some lovely words in the middle and getting them woven through the copy to ensure that it isn't too obvious is tough, but it's the best way to get that release out there.
Going back to my reporter days, I remember thinking about how valuable the free publicity from a carried release was. When you calculate the price per inch for advertising, the price of a press release is negligible. I did text ads for a local company last year, and while they got a response from the ads, they were not interested in commissioning a press release. It cost the company more than $800 a month to run ads in the paper- ads that likely didn't get the response that a press release could have gotten them. Getting carried isn't just free publicity- it's coverage that legitimizes the information and makes it more credible. An ad is an obvious sell. A news story is something else all together.
After leaving the newspaper industry, I put my ideas to work to help people around me to get the publicity their companies or events deserved. Every one of them was carried. Every single one. How? By doing what a PR writer should logically do when creating a press release. The object isn't to glorify the client and it isn't to create a ton of information that then has to be waded through and filtered down to its important points. Most reporters don't have time for that kind of nonsense. At least, I never did, so I assume that other reporters don't either. Then, I looked at the local market and considered what kinds of stories had been run lately, and what kind of slant they were usually given.
And lastly, I decided what kinds of markets the press release should be catered to, and how to cater the release to their specific focus. A press release for the city newspaper should have a strong news and/or human interest focus, one for the local entertainment tabloid should have more to do with what about the event will interest locals, etc. Then, I found the fax numbers for the local and regional media outlets that I wanted to utilize. That is ironically one of the hardest parts of print submissions, as many outlets make their fax numbers hard to find. I did find out that a PR book full of contact names and fax numbers comes out every year. That sounded pretty interesting until I noticed that it cost over $800. Without the book, the hunt took considerably longer, but it was accomplished.
Enter the online press release industry...
After changing careers and working in ecommerce for a few years, I came back to writing and PR, where I intend to stay forever. But, the trend now is for clients to commission online press releases. Great! I'll write press releases for the requested markets and email them instead of hunting fax numbers, right? Nope. Online press releases are an entirely different animal. The first few that I wrote confused the heck out of me, as there was no market to write for. So, the release is to be written to...nobody in particular? Pretty much. Many clients who want online releases don't really know who they want it targeted to, and they don't want it sent any further than PR Web.
The online press release is not, as a client recently told me "just an article written in a different format." It is still a press release, and should have many of the same hallmarks of the print release, some traits of the content article, and should come out as a sort of hybrid. To avoid having these releases being simply a resurgence of the useless releases that I once threw in the trash, I had to find a market to target the release to. The release can't be too generic, and must cater to a niche, as much as I hate that word. When writing an online release there is an analysis of the market, much like with print releases. What media outlet would do the company/event/person the most good? What are those outlets running? What are the people on those sites reading? The online market is fabulous because most media outlets display their most read stories, letting you know what their readers like and what they are likely to want to print.
To get the release seen my the right people, especially if the client just wants it sent to PR Web, it has to be SEO'd to the best keywords. If I'm not given keywords I check Overture and see what people are searching on that's related to the topic. You can't go too high, as those keywords present too much competition, and you can't go too low, as those keywords aren't searched often enough. Choosing some lovely words in the middle and getting them woven through the copy to ensure that it isn't too obvious is tough, but it's the best way to get that release out there.
Going back to my reporter days, I remember thinking about how valuable the free publicity from a carried release was. When you calculate the price per inch for advertising, the price of a press release is negligible. I did text ads for a local company last year, and while they got a response from the ads, they were not interested in commissioning a press release. It cost the company more than $800 a month to run ads in the paper- ads that likely didn't get the response that a press release could have gotten them. Getting carried isn't just free publicity- it's coverage that legitimizes the information and makes it more credible. An ad is an obvious sell. A news story is something else all together.
Thursday, October 18, 2007
The Competition from India

I see a lot of freelancers mentioning the competition from Indian writers and how that has made it necessary to write for very little in order to stay competitive. Many writers believe this, and I think in some cases it's true. But, I've never considered myself to be in competition with Indian writers. I am not competing against them, or Eastern European writers, to get the low paying, quantity-over-quality assignments. I am competing with other writers who are experienced, well versed in nuanced English and dedicated to high quality, and that's all.
I know that many, if not most, freelance writers get insulting offers like I often do. Sometimes they are aggressively insulting, often implying or outright stating that they have writers overseas who will work for less. It doesn't concern me what people overseas will write for. I wasn't concerned when a potential client insisted that he had writers who would write his blog posts for $1.50 apiece. He should be concerned that he's spending money on something that no one, anywhere, will ever read, but I'm not. Probably 80-90 percent of buyers are looking for the cheapest writers they can find- period. They don't concern me. My concern is finding the other 10-20 percent who will challenge me to offer my best work in exchange for reasonable pay. Indian writers can do what they do, circus performers can do what they do and cowboys can continue to ride across the plains. I'll stick to my own market.
Thursday, October 11, 2007
Doris Lessing- Alive
There are no laws for the novel. There never have been, nor can there ever be.-Doris Lessing
I was amazed today to hear that Doris Lessing was just announced as 2007's Nobel Prize winner for literature. I found this amazing first because I thought she was dead and second because apparently she's been writing science fiction for the past few years. Don't get me wrong, I love me some sci-fi, but it's rare to see the genre taken seriously as literature. I hope this signifies a change in its literary reputation. I took a creative writing class once, and the professor announced on the first day that science fiction was not allowed in her class. Really? What if a Nobel laureate was taking your class? Ha!
The thing about Doris Lessing, besides having some interesting short stories and essays, is that she has always been able to come up with these amazing quotes that sum up everything so neatly. Anytime you see a collection of interesting quotes, one of them is usually hers. Her ideas about writing and fiction are just as interesting as her amazingly accurate and sucinct observations about the world around her.
Sunday, October 7, 2007
Uncharted Territory
It's weird, but I may be writing a screenplay. How did this come about? Funny you should ask. It's a long story, but it involves a bunch of people, some guy I've never met, a $35,000 camera and a new movie studio. The thing is, though, that I've never written one before and I'm not entirely sure how it's going to play out. Apparently there is screenplay software that can make it easier to get it all down. Normally I hate stuff like that, like novel-writing software that just takes a bite out of creativity. But a screenplay has to be in such a specific format, one that I'm unfamiliar with, that I'm likely going to use it.
My first strategy, however, is to study the way a written piece differs from the same item on film, since it's based on a work that I wrote years ago. That sounds pretty challenging, but basically I'm watching movies based on books that I've read and noting the differences. There are obviously many things left out of a book once it gets translated into film, but its amazing how pretty large plot points can be taken out, even when they are deeply intertwined with the main plot. Other things I've noticed:
My first strategy, however, is to study the way a written piece differs from the same item on film, since it's based on a work that I wrote years ago. That sounds pretty challenging, but basically I'm watching movies based on books that I've read and noting the differences. There are obviously many things left out of a book once it gets translated into film, but its amazing how pretty large plot points can be taken out, even when they are deeply intertwined with the main plot. Other things I've noticed:
- Visual shorthand. There are numerous ways to make a point visually that time won't permit a deeper exploration of. One example is the latest movie version of Pride and Prejudice. In the book, the family wasn't poor, per se, they just had many components of the middle-class lifestyle that wasn't quite fashionable at the time. You can't very well annotate a film, nor can you spend 10 minutes describing how their lifestyle differed from those they were trying to impress. The visual shorthand was chickens. There were chickens and a few other farm animals running around, signifying that the family wasn't considered wealthy.
- Tertiary characters. A book may have room for them, but a movie usually does not. I may keep a few tertiary characters in the background in non-speaking roles, or even give them a few lines, but there isn't room for a lot of background information on them. J.K. Rowling had a tremendous amount of background information on several of her bit players. She kept trying to find a place for them but there wasn't room for it even in her huge novels and they were reduced to extras in the films. To keep key plot points, these guys have to go.
- Exaggerated settings. Books have a tremendous amount of room to let the settling subtly interplay with the plot and characters. Small aspects of the setting can be introduced throughout the book, making the tone of the setting and the tone of the plot become increasingly intertwined. In a movie, the setting is actually the first thing you see, and it's rarely possible to introduce aspects of that setting later in the work. The setting has to get attention right away and has to transmit a lot of the information. One of the guys has been going on and on (and on) about set design, and I'm probably going to have to listen to it eventually.
- Movie people will want to expand the scope and add in a bunch of crap for different demographics. That's pretty noticeable in movies now that I'm looking for it. I've already been given a speech about adding in elements for different demographics, which is fine.
Tuesday, October 2, 2007
The BellaOnline Classic Rock Site is Up
My BellaOnline site is now up! The site is going to be populated with information about classic rock- namely bands that I like. I set up an entire subject just for Donovan and began that content this morning. I think the Classic Rock site has a lot of potential and I just hope that people find music there that they wouldn't otherwise have heard of. Finding a "new" band that you click with can be exciting, even if that new band has been around for 40 years. Oh, and you get to see my ugly mug in bad lighting and in a weird sepia tone.
Sunday, September 30, 2007
Not About Writing

I wanted this blog to be about writing and the struggle to constantly improve writing skills while taking on an incredible variety of projects. But, what's with those wet wipes everyone uses now? I keep seeing these in people's bathrooms, and now they've appeared in two of my bathrooms. When did adults start using what are essentially baby wipes? Have I been too stuck to a keyboard to notice the technological advancement of the flushable wipe? I must have missed the general consensus that decided toilet paper is no longer enough. But you know what? It is. I am perfectly happy with toilet paper. If, in a few decades, I need Depends, that would the only scenario in which I would use those stupid wipes. Viva la toilet paper!
Friday, September 28, 2007
Niche Niche Niche Niche Niche Niche Niche
You can't go anywhere in the writing world these days without hearing that word incessantly. I am seriously sick of hearing about niches. Everyone wants to serve a niche, which is perfectly fine. I just wish they'd stop using that word. I am not a niche writer and I never will be. I'll write about anything and I'm proud of it.
I went into journalism because it meant doing something new every day. Being a reporter required constant exposure to new topics. I went out to a logging company and learned all about logs and the timber industry. I went to a factory that made grocery store freezer doors, learned all about them, and wrote an interesting article about those suckers. Even if you're a beat reporter, you learn so much every day and that's still the type of writer I want to be. An unfamiliar topic doesn't scare me. A client wants me to write about vacuums? Sure. Furniture? Absolutely. Fungal infections? Bring it on.
I went into journalism because it meant doing something new every day. Being a reporter required constant exposure to new topics. I went out to a logging company and learned all about logs and the timber industry. I went to a factory that made grocery store freezer doors, learned all about them, and wrote an interesting article about those suckers. Even if you're a beat reporter, you learn so much every day and that's still the type of writer I want to be. An unfamiliar topic doesn't scare me. A client wants me to write about vacuums? Sure. Furniture? Absolutely. Fungal infections? Bring it on.
Monday, September 24, 2007
Where to Get Freelance Jobs and Some Ranting
I keep finding more and more freelance writing job sites. There's one in particular that does very well among the freelancers I'm acquainted with- *nevermind, I hate this site*. It has an excellent reputation among freelancers for finding jobs and gigs that pay well and aren't morally questionable. The only problem I have with the site is that I've never gotten a thing that I've applied for through there. Some of them are great projects- ones that I am more than qualified to do, but for some reason am never chosen. I do have a theory about the reason, though.
Another interesting one is Writer's Weekly. Most of what I see there is for print publications. I don't write for print anymore, but I plan to again someday and love to see what the market is like. Their listings are a great reminder of how high the price is for print publications compared to web writing. Of course, so much of print writing is on spec, which I don't have the time or the finances to do right now.
The Writer's Resource Center freelancing pages are quite thorough. You can search by type of writing or even by which state you're in. The quality of jobs looks great, but there are so many that I can spend forever looking at them and then I rarely get around to applying for anything.
This brings me to one of my biggest issues with web writing- the first-come-first-hired mentality. When I look through Freelance Writing Jobs, Elance and some of the other sites I frequent, I've developed the habit of either emailing the job to myself to look at later or opening a tab for interesting projects and applying for them when I have time. What happens, almost every single time, is that the job is taken by the time I apply. Sometimes the job has only been posted for a matter of hours. I can't fathom hiring the first person who applies, but apparently that's the way people are doing it. I don't get it, and I don't see how it can get them the best work possible. Isn't that what they want? Sometimes not. All too often people just want content quickly and for as cheap as they can get it. That's what is populating the web right now- cheap crap. I see Elance projects that I wanted going to people with portfolios filled with the worst imaginable copy. This is copy written poorly, full of errors and with no discernible style of any kind. I may be going back to print quicker than I had planned to, now that I think about it.
Another interesting one is Writer's Weekly. Most of what I see there is for print publications. I don't write for print anymore, but I plan to again someday and love to see what the market is like. Their listings are a great reminder of how high the price is for print publications compared to web writing. Of course, so much of print writing is on spec, which I don't have the time or the finances to do right now.
The Writer's Resource Center freelancing pages are quite thorough. You can search by type of writing or even by which state you're in. The quality of jobs looks great, but there are so many that I can spend forever looking at them and then I rarely get around to applying for anything.
This brings me to one of my biggest issues with web writing- the first-come-first-hired mentality. When I look through Freelance Writing Jobs, Elance and some of the other sites I frequent, I've developed the habit of either emailing the job to myself to look at later or opening a tab for interesting projects and applying for them when I have time. What happens, almost every single time, is that the job is taken by the time I apply. Sometimes the job has only been posted for a matter of hours. I can't fathom hiring the first person who applies, but apparently that's the way people are doing it. I don't get it, and I don't see how it can get them the best work possible. Isn't that what they want? Sometimes not. All too often people just want content quickly and for as cheap as they can get it. That's what is populating the web right now- cheap crap. I see Elance projects that I wanted going to people with portfolios filled with the worst imaginable copy. This is copy written poorly, full of errors and with no discernible style of any kind. I may be going back to print quicker than I had planned to, now that I think about it.
Thursday, September 20, 2007
No Time for Fiction

I'm making a living by writing, which is more important to me than just about anything else, other than offspring (and husband is running a distant third). But, I always thought that by the time this thing happened I would be writing fiction. There isn't much time for fiction these days, though I still have every intention of having a fabulous line of fascinating novels on the racks and a few hundred fan letters in the mail each day. And bagels. Fans send bagels, don't they?
I plan to eventually find a fixed, regular time for writing fiction. Someday. Eventually. But these days, the number of projects I take on has reached a dizzying pace, and none of it has anything to do with fiction. I can't seem to even get a gig editing fiction, much less time to write it. But on the bright side, I'm buying a new bed. What does that have to do with it? Nothing. Non-fiction, beds, offspring- my life in a nutshell.
Tuesday, September 18, 2007
Suite101
Yesterday I was accepted by Bella, and today it was Suite 101 who came knocking. Ok, I had to apply to them. Twice. But, I'm in and that's what counts. It's a site as old as the hills that has some extremely interesting topics available to its contributing writers. They aren't limited to 10 or 15 or even 100 topics- there are 3,000 separate topics and subtopics there for the taking. The subject matter includes topics as diverse as archaeological digs, motorcycle repair and the paranormal. So what to write about? Shall I be good and write about Regency literature as I had envisioned, or shall I delve into that one time I thought I saw a ghost? The answer, so far, is unclear. Where's the Magic 8 Ball? Maybe there's a topic about that...
Monday, September 17, 2007
BellaOnline
I have been hearing a few things about a site called BellaOnline recently, and everything I've heard has been favorable. They claim to be the second largest site for women on the internet, and the number of topics and readers is quite impressive. Yesterday I saw that someone who frequents a writers' board that I visit had been accepted to be an editor there. I decided to check it out and found that there were several interesting topics available- including classic rock. Now, I freely admit being a nerd, but I adore classic rock. I love doo wop, hippie music, the weirdness that was the 70's and the New Wave and punk of the 80's. I flipped at the thought of being able to write about those topics, and applied for the editor position.
This morning I was accepted and I have my own BellaOnline site! It is located at: http://www.bellaonline.com/site/ClassicRock As of right now, there is nothing on it but my name and the name of the topic. But, I hope to get it going into something that turns readers on to music they might have otherwise overlooked.
This morning I was accepted and I have my own BellaOnline site! It is located at: http://www.bellaonline.com/site/ClassicRock As of right now, there is nothing on it but my name and the name of the topic. But, I hope to get it going into something that turns readers on to music they might have otherwise overlooked.
Subscribe to:
Posts (Atom)